2008’s The Unimaginable Hulk was in no way a failure. It greater than made again its funds, and it scored a Metacritic ranking that lands it comfortably within the “not nice, however not dangerous” class. It was, nonetheless, shortly discarded from the Marvel Cinematic Universe. Edward Norton’s tackle Marvel’s Inexperienced Imply Machine was retconned away, with Mark Ruffalo changing him and doing a really completely different tackle Hulk. Most of The Unimaginable Hulk was decreased to a blink-and-you’ll-miss-it cameo in 2012’s The Avengers.
However round 2021, the Norton film grew to become related once more as Disney began incorporating parts from the movie again into the MCU continuity, beginning with Tim Roth returning as Emil Blonsky, aka Abomination, in a cameo in Shang-Chi and the Legend of the Ten Rings, and later as a visitor star on She-Hulk: Lawyer at Legislation.
Establishing stronger ties between earlier and later takes on the MCU Hulk felt particularly important with She-Hulk, a collection that appeared to carry Bruce Banner’s story to an finish so he might move the torch on to his cousin. After a bunch of films the place Ruffalo’s character rampaged as simply Banner, simply Hulk, and a mixture of the 2 within the type of Professor Hulk (Bruce’s thoughts in Hulk’s physique, a hybrid who debuted in Avengers: Endgame), it actually felt like that character’s potential had been absolutely tapped. So it made sense to clear the stage for an entire new Hulk. Not only a feminine tackle the character, but additionally a extra comedic one: The comedian ebook She-Hulk was principally the unique Deadpool, full with fourth-wall-breaking jokes.
However the potential for the MCU Hulk is much from depleted. There are nonetheless so many issues the writers of Marvel blockbusters haven’t performed with him. And the foundations had been already laid down in The Unimaginable Hulk.
There are two notable issues that later Marvel motion pictures didn’t transplant from the Ed Norton film. The primary is Tim Blake Nelson, who on the finish of the movie began reworking into the traditional Hulk villain The Chief. When the MCU dropped that concept, audiences missed out on a cool character with limitless mind and self-importance, plus telekinesis and the lack to die. Moreover, teasing extra of Tim Blake Nelson in a franchise with out delivering on it needs to be a felony. The second factor we misplaced is a feral, animalistic Hulk who can’t maintain a dialog and might’t be managed — a scarier, extra thrilling model of the character who’s a lot nearer to the comics’ unique model of him as one thing like a radioactive werewolf.
The stakes for Hulk are greater from the primary few seconds of The Unimaginable Hulk, the place we see Norton as Bruce Banner testing a remedy for gamma radiation poisoning, which triggers his transformation. We watch from his POV as he hurts the individuals round him, together with his girlfriend Betty (Liv Tyler), who sees him as a terrifying monster with no connection to Bruce.
Director Louis Leterrier does all of this with out dialogue, by means of visuals solely. That ups the depth, serving to the scene go straight to the lizard portion of the viewers’s grey matter, the place it’s processed the identical approach as a horror film. That’s actually the core of what makes The Unimaginable Hulk so nice. It isn’t an precise horror flick, however many elements of it, its tackle the titular character included, are horror or horror-adjacent.
By going this route, Leterrier has does some significantly memorable issues with Hulk that give the character extra depth. For instance, each time this model of Bruce reverts again to human type, Norton performs him as clearly exhausted, terrified, and traumatized. After the combat at Culver College, when Betty checks herself and Bruce right into a motel, this character who was simply shrugging off bullets the dimensions of thermoses is decreased to a shivering mess coated in a blanket. He can’t discuss, he can barely transfer, and when he by some means manages to get within the bathe, he begins reliving the trauma of the combat, the place he wasn’t in command of himself and was being shot at. After so many Marvel motion pictures the place superheroes have confronted off in opposition to area demons, the Goddess of Demise, and an alien imbued with the good powers of the cosmos, a personality feeling petrified of weapons appears nearly quaint. Nevertheless it isn’t quaint — it’s human. Ed Norton’s Hulk is refreshingly human.
Examine that scene with the primary time Mark Ruffalo’s Bruce Banner transforms into the Hulk in The Avengers, falls to Earth, modifications again to human, and instantly begins quipping with a safety guard. It’s not that specializing in trauma is healthier than comedian aid — each are legitimate takes on Hulk that may be backed up by some iteration of the comics. And there’s no denying that Mark Ruffalo’s efficiency has been an enormous hit with audiences, serving to make Hulk an A-list superhero. However as a lot as Ruffalo’s Bruce talks about how he’s afraid of “the opposite man,” his model of Hulk remains to be a hero, somebody who all of a sudden appears as in-control as he must be each time the motion beats name for it. Ed Norton’s Hulk isn’t.
The 2008 film hammers in that time time and again, most notably proper after the Culver College combat, the place Hulk takes the unconscious Betty away and hides them each from the rain, tucked below a rock outcropping. When she wakes up, she screams on the sight of him. Later, we see Hulk yelling on the storm and hurling rocks at it. This Hulk isn’t a superhero, he’s a robust animal. He’s principally a large ape, with a point of sentience, however in the end working on animalistic intuition. That’s why, in the case of the ultimate showdown between this character and Abomination, Norton’s Banner doesn’t plan to alter, then hope Hulk will select to be noble and save the day. As an alternative, he hopes to “goal” the inexperienced monster on the different monster, and pray like hell that he doesn’t damage any harmless individuals alongside the way in which.
The bizarre factor is, The Avengers regarded prefer it was going to provide us that Hulk to start with, with a Ruffalo-Hulk who’s feral, harmful, and incapable of telling associates from enemies. Later in the identical movie, although, co-writers Joss Whedon and Zak Penn dial down his wildness and switch him into the Marketable Hulk, who understands human speech, waits for Captain America’s directions to smash issues, and saves Iron Man when he’s falling from the sky. As soon as extra, there’s nothing mistaken with that take — however there’s a transparent disconnect between Hulk at the start of the film and on the finish, with no clear cause for the change.
So why not repair that? What if the MCU went again to that model of the character? We see glimpses of it in The Avengers: Age of Ultron, when Scarlet Witch messes with Hulk’s thoughts, however there’s a lot extra story potential for a extra harmful, much less urbane Hulk, a Hulk who can’t actually be referred to as an Avenger as a result of he doesn’t have sufficient of a thoughts to consent to being a part of a group. A Hulk who would most likely should be “contained” and aimed toward enemies the Avengers can’t deal with, which raises the sorts of big moral questions the MCU might stand to often take into account.
All of that would nonetheless be performed. Professor Hulk doesn’t should be the ultimate phrase on the character within the MCU. 100 various things can occur to discover Hulk additional as a feral killing machine. If solely Marvel and Disney truly needed that. They most likely don’t, as a result of he’s extra marketable as a superhero. However the choice remains to be on the desk, simply ready for somebody to choose it up and proceed what The Unimaginable Hulk began 15 years in the past.