Twenty years in the past, Park Chan-wook’s revenge thriller Oldboy turned him right into a worldwide star, setting off a brand new wave of Korean neo-noirs and serving to break down boundaries for worldwide cinema. The film’s memorable, irresistible hook: After a drunken bender, Korean businessman Oh Dae-su wakes up in a small, dilapidated lodge room, the place he’s been imprisoned by unknown events. As months move with no contact from the surface aside from nameless meals deliveries, he begins to unravel, numbed by isolation and helplessness.
Watching Hulu’s mesmerizing documentary The Contestant, it’s onerous to imagine Park and Oldboy manga author Garon Tsuchiya didn’t take some inspiration from its topic, Nasubi. Beginning in 1998, Nasubi spent greater than a 12 months bare, ravenous, and minimize off from the world in a equally small suite as a part of a Japanese recreation present, completely unaware that he was finally being watched by 17 million gawking followers. His real-world story was significantly much less gory than Oldboy, however it’s much more startling, given its large, stunning twists — and given how complicit Nasubi was in his personal captivity and worldwide exploitation.
Clair Titley’s documentary begins with a short overview of the sport present, Susunu! Denpa Shōnen, and the surroundings that enabled it. In an period the place actuality TV was simply beginning to take off, Susunu! Denpa Shōnen specialised in luring individuals into performing elaborate, harmful stunts within the hopes of furthering their leisure careers. A fast montage of footage from the present blitzes throughout just a few of the present’s different most infamous moments, together with an intercontinental hitchhiking journey that hospitalized one participant, and a stunt the place two comedians got a swan-shaped pedal boat and advised to pedal from India to Indonesia.
However by far, the present’s most infamous undertaking was “A Life in Prizes,” a section the place a would-be comic was positioned in a room, bare, with nothing however a rack of magazines and a pile of postcards, and ordered to dwell totally off no matter he might win by coming into journal sweepstakes.
Producer Toshio Tsuchiya advised Denpa Shōnen contestant Nasubi (born Hamatsu Tomoaki — the bizarre form of his face impressed his stage identify, “Eggplant”) that he’d dwell in a room with one tripod-mounted digital camera, which he’d use to videotape quick day by day check-ins as he entered sweepstakes and slowly amassed 1 million yen value of prizes. After the undertaking completed, Toshio defined, the present would edit Nasubi’s footage and launch it.
As a substitute, Toshio saved secret cameras in Nasubi’s room operating 24 hours a day. Initially, the present’s producers edited the footage down into quick segments for the present. As soon as thousands and thousands of followers turned obsessive about Nasubi, although, detractors denounced him as an actor faking your complete stunt. So Toshio started to livestream the cameras from Nasubi’s room, using an around-the-clock workers to watch the feed and hand-operate the cellular video impact that obscured Nasubi’s genitals with a CG eggplant.
The footage Titley assembles from Denpa Shōnen feels remarkably like a manically narrated model of Bo Burnham: Inside, with Nasubi’s bare dancing changing the musical interludes. Hoping for a TV comedy profession as soon as the present truly aired, Nasubi performed to his digital camera through the window the place he knew it was on. He performs celebratory rituals at any time when he wins a prize, pulls foolish faces and tries out foolish voices, and usually clowns for an imaginary viewers. The goofy antics and the ridiculous extremes of the entire experiment edge towards making The Contestant really feel comedian and weightless, a light-weight leisure like so many different reality-TV gimmick reveals.
Picture: Hulu/Everett Assortment
The hidden cameras inform one other story. As months stretch by, Nasubi tries to outlive with no supply of diet however sparse, random prizes like fruit drinks and pet food. He grows more and more gaunt and bony. He suffers bouts of lassitude, despair, confusion, and what looks like mania. And Toshio simply retains rolling.
Twenty-five years after the extremely discomfiting finish of the “Life in Prizes” experiment, Titley introduced Nasubi and Toshio in for studio interviews to debate their recollections of this worldwide train in voyeurism. Nasubi is calm and philosophical about his ordeal, explaining why he didn’t simply stroll away from the experiment when he started deteriorating, and taking a clear-eyed take a look at what it did to him mentally. Toshio, in the meantime, stays politely apologetic about how sadistically he pushed Nasubi to proceed on the present, however affords few explanations or insights into his behind the scenes selections. The film is more likely to go away viewers with extra questions in regards to the story than they went in with.
A part of that comes from Titley’s refusal to editorialize, or to form the story in a approach that implies a bigger context. It’s simple to take it as a daunting story about what individuals are prepared to endure (or make different folks endure) in trade for fame or revenue. And given how well-known Nasubi turned each inside and outdoors of Japan, it’s equally simple to take “A Life in Prizes” as a milestone occasion within the progress of actuality TV, and the fascination with watching folks hurt themselves on digital camera to entertain others. (Jackass began airing the 12 months after “A Life in Prizes” ended. So did Survivor. Worry Issue got here the 12 months after that.)
However it’s simply as simple to see as “A Life in Prizes” as a companion piece to the Stanford Jail Experiment, an instance of how simply energy can lure atypical folks into cruelty and abuse, and the way simple it’s to grow to be obedient and accepting within the fingers of energy, and to just accept even a ruinous establishment. As Nasubi factors out in an interview with Titley, the door to his tiny condominium wasn’t locked, and he might have left at any time. Previous a sure level, he says, he didn’t have the need to withstand.
Picture: Hulu/Everett Assortment
The Contestant doesn’t draw out any of those bigger concepts, and Titley’s dealing with of her topics appears mild and cautious reasonably than probing. There are a number of unsettling revelations in The Contestant, together with that Toshio inspired Nasubi to maintain a journal about his day-to-day life — which was then taken away and printed, with out Nasubi’s data. (It turned a four-volume nationwide bestseller.) However the movie doesn’t discover how that occurred, or query the ethics behind it: It simply notes the publication of Nasubi’s diary as an information level in establishing the scope of his fame in Japan.
It is likely to be thought of admirable how firmly Titley sticks to the details, reasonably than making an attempt to attract out an ethical from your complete scenario. However it leaves the story feeling extra like a unusual, remoted human-interest story than a watershed second within the growth of exploitative, stunt-driven actuality tv. It performs like a feature-length model of the “Right here’s a wacky story from Japan…” information objects that Titley excerpts in the beginning of the movie, extra a curiosity than a much bigger discussion-starter. And when Nasubi enters his post-Denpa Shōnen life and embarks on a radical private undertaking, the movie morphs into one thing extra like a slick, inspirational feel-good story. It’s actually a reduction to see Nasubi wholesome and completely satisfied after the early going, however there’s a continuing sense of a movie skating throughout the floor of a outstanding story, reasonably than exploring its depths.
None of which makes The Contestant any much less of a compelling watch. We appear to have moved previous the height of grim cautionary documentaries centered on the seemingly limitless environmental, technological, and societal apocalypses looming within the close to future, possibly as a result of they’d piled up in such numbing profusion that audiences had been turning away. Regardless of the responsible voyeuristic lure of a unadorned man who doesn’t know he’s being filmed, the “Wow, this man’s so wacky!” framing of Toshio’s recreation present, and the large, brilliant uplift of the ending, this film is as scary as any of the doomsaying docs of the previous few many years.
The Contestant is streaming on Hulu now.
