It’s not a lot of a stretch to say that legendary stunt performer and motion director J.J. Perry helped form many of the vital motion films and franchises which have come out this century. He’s labored within the largest trendy film universes conceivable — Marvel, DC, Avatar, Quick and Livid, John Wick. He designed the motion on smaller beloved style initiatives like Warrior and Undisputed II: Final Man Standing, and even supplied sturdy motion beats in comedies like Spy and Homicide Thriller 2.
Perry lastly bought his probability at directing a function in 2022: the breezy throwback vampire action-comedy Day Shift, starring Jamie Foxx. Two years later, he’s again along with his sophomore effort: the pleasant motion rom-com The Killer’s Recreation, starring Dave Bautista and a legion of Perry’s mates and collaborators from the motion world.
The film follows Joe Flood (Bautista), a extremely succesful hitman with an enormous crush on ballet dancer Maize (Sofia Boutella). Whereas their relationship remains to be budding, Joe learns he has a terminal sickness, and places out successful on himself to finish his struggling shortly and hopefully get an insurance coverage payout for his new love. However shock! His physician gave him the improper prognosis, and he’s really completely wholesome. With a brand new resolve to dwell, Joe has to struggle off a swarm of lethal assassins and maintain onto his imaginative and prescient of his future.
Becoming a member of Bautista and Boutella are Ben Kingsley as Bautista’s handler Zvi, Pom Klementieff as a rival handler, and Terry Crews, Scott Adkins, Marko Zaror, Lee Hoon, Shaina West, Lucy Cork, and WWE wrestler Drew McIntyre as among the assassins. For motion followers, that record is a who’s who of people that kick ass. Mix that with Perry’s distinctive eye for motion design, and you’ve got one of the vital satisfying films of the autumn.
The narrative setup permits for many room for expression from Perry, each within the characters and the motion design. Zaror’s character, Botas, is a selected standout, a flamenco dancer who fights with spurs on his boots and headphones in his ears. So are Adkins and McIntyre, who play a pair of practically unintelligible Scottish brothers (subtitles and all). There are bike fights, barroom brawls, tactical shootouts, intense martial arts motion, and every thing in between. At its greatest, The Killer’s Recreation seems like an motion anthology sequence, following the protagonist as he fights his means by means of the style, with Joe and Maize’s romance offering a coronary heart on the heart of all of it.
Polygon spoke with Perry about his method to the film’s distinctive premise, why wrestlers (and Bautista particularly) make such nice film stars, his inspirations for the wacky forged of characters, and his love for matching old-school aesthetics with new-school know-how.
This interview has been edited for concision and readability.
Polygon: The place did this venture begin for you?
J.J. Perry: Like 12 years in the past, I bought a script known as The Killer’s Recreation, they usually had been in search of a stunt coordinator. One way or the other that went away. After which three years in the past, I bought the script once more, they usually had been in search of a second unit director. I used to be ending up my first film, Day Shift, and I invited [producer] Andrew Lazar to see my director’s reduce whereas we had been within the enhancing room. He was like, “Dude, I would like you to direct [The Killer’s Game].” And that’s the way it all type of got here to me.
Picture: Csaba Aknay/Lionsgate
Getting the film was an enormous win, however getting Dave Bautista to star in it was like successful the lottery for me. All of it simply type of fell collectively after that.
I think about a few of it’s his star energy and what he brings to the display, but in addition, having somebody like him connected to the venture has to assist in giving it extra visibility.
I met Dave within the parking zone of 87eleven [Action Design] once I was prepping John Wick 2 and we had been coaching Keanu [Reeves]. He got here to fulfill Chad [Stahelski], and I chased him out within the parking zone and was like, “Dude, I’m an enormous fan.”
I’ve labored with plenty of professional wrestlers over time. As a stuntman, I labored with Hulk Hogan, Randy Savage, only a host of them. However I at all times felt Dave was particular. He has one thing else. When he got here aboard, we had a chat, and I feel I received him over by telling him that I’m not getting down to make an motion film. I’m getting down to make a love story.
For me, coming from the motion world, I wasn’t that involved with the motion. I can shut my eyes and throw the ball and hit it with motion. It’s my neighborhood. I do know the place I’m going. I must get the love story and the characters proper on this film, and the comedy. I must hit that. Everybody’s going to count on the motion to be good. I’m not likely nervous about that half, as a result of I do know it just like the again of my hand, and I’ve bought an incredible motion group, and all we do is produce stunt biz consistently.
However getting the story proper is, I feel, what bought Dave, and Dave introduced Sofia [Boutella]. I used to be scared shitless of the Maize character. I used to be like OK, who am I gonna get, a badass actress that may dance, that has chemistry with Dave? And he stated, “Oh, I bought this buddy that I did Lodge Artemis with.”
In case you ask an actress in Hollywood if they’ll dance, they’ll all say, “Yeah, I can dance.” However I don’t imply faucet dance within the fourth grade. I’m speaking about actually being about to bop. Sofia, earlier than she turned an actress, she was a dancer, and he or she’s an incredible actress. Dave additionally introduced with him Terry Crews, which was tremendous cool. We had a tough time casting the Lovedahl function. I’d labored with Terry on Expendables 3. I really like him, however Dave, he’s pricey mates with him. He known as him, and increase, Terry Crews is on a airplane.
I bought on the cellphone and known as all my mates — Scott Adkins, Marko Zaror, Pom Klementieff, Daniel Bernhardt, Lucy Cork, Shaina West. In case you’re going someplace to get right into a rattling avenue struggle, what do you do? You name your homeboys and your homegirls to return enable you to. If you stack your deck stuffed with aces, all you’re holding is aces.
What’s it about working with wrestlers in motion roles that you just like, and the way has Dave Bautista distinguished himself there to you?
If you realize the film enterprise, extra film stars have come from WWE than wherever else. Greater than soccer, greater than MMA. There’s a motive. They’re live-show performers. They’re performing to the fellows within the nosebleeds. So it needs to be huge, they usually have to have the ability to retain the choreography. It’s a breeding floor for motion stars.
I feel that Dave, on the performing stage, has actually surpassed any and all expectations for me. I do know him, and it’s unfair, as a result of he’s an incredible actor, he’s tremendous proficient, he’s tremendous clever, he’s tremendous sort, he’s beneficiant. I need to be him so dangerous it makes my rattling tooth damage. For me, it was a profession excessive to get to do that with him. I simply completed one other one with him too, [a sci-fi comedy] known as Afterburn. We’re slicing it proper now.
You talked about Day Shift earlier, which has a really completely different method to motion than this one. It’s vampire-centric, you’ve bought the contortionist gymnastics stuff happening. The Killer’s Recreation is a distinct playground. What was most enjoyable to you about that as an motion director?
As a result of I direct a lot motion as a second unit director, it’s in regards to the characters. How do I make the characters completely different, and create issues for my protagonist, and present how he solves them? And it’s additionally the set-pieces. Like, the bike struggle. We had been supposed to do this in a building website. Are you aware why we shot it inside? As a result of if you movie in Budapest in July, you solely have 4 midnights. So I didn’t have the time I wanted to shoot for 10 hours straight.
We shot all of that bike enterprise in two days. I didn’t have plenty of time, so I wanted to concentrate on my strengths. However that venue created plenty of alternatives for the bikes to do stuff that you just won’t have seen earlier than. That’s your job, too, is to not regurgitate belongings you’ve seen. So once I’m directing motion films, I don’t watch motion films. I watch comedies and horror films.
One of many issues I loved most about The Killer’s Recreation is how the premise means that you can use plenty of completely different motion instruments. You get to cycle by means of motion subgenres all through the film. If you learn the script, did that stand out to you, or did that come naturally within the course of?
The film that I learn 10 or 12 years in the past and the one I learn three years in the past are fairly a bit completely different. After we determined I’m directing the film, I went out and bought [screenwriter] James Coyne, who’s a buddy of mine, and we rewrote. We put within the Goyang character, we put within the Botas character, we put within the occasion ladies, we put within the unintelligible Scottish guys.
We took some characters out, as a result of that script had been round so lengthy, you’d see individuals had taken their characters and put them in different films. So I put my very own DNA in it. We wrote these issues with Scott Adkins in thoughts, with Marko Zaror in thoughts, with Lucy Cork and Shaina West in thoughts.
With Botas — once I was a younger man, I used to be competing in taekwondo rather a lot. There was a man in my health club that, when he placed on his Walkman, when you had been sparring with him, he would beat the pants off of you, as a result of he was so into the heavy steel. However when he had the Walkman off, you might stroll throughout him. I used to be like, I want to do this. Marko, he’s a particular character. We virtually misplaced that character, too. We didn’t have some huge cash.
[With the Mackenzie brothers], I labored in Scotland on F9. We locked up Edinburgh, and I couldn’t perceive a phrase of what my crew had been saying, however it was enjoyable, they usually laughed once I talked. We had a good time. Each different phrase was the C phrase. I used to be like. Whoa, you guys can simply say that? After which the occasion ladies… I spent most of my youth researching these ladies.
With the Mackenzie brothers, there’s a little bit of a commonality between Day Shift and this film. Is there at all times going to be room in your films for Scott Adkins to play half of a brother duo with a brand new accent?
I really like Scott. I’m going to forged him in every thing. I’ll forged Marko and Daniel in every thing. If you’re going to go someplace and do one thing laborious, you’re going to deliver your folks. All of them might be their very own film stars. They’re all action-movie stars, however they might be film stars. I’ll at all times provide that to Scott, however hopefully I can provide him one thing larger subsequent time.
The film has a really comedian book-y narrative, despite the fact that the supply materials isn’t a comic book e-book. You will have cut up panels, wipes, match cuts — there’s plenty of playfulness within the film. How did you method marrying the type to the narrative?
After Day Shift, I needed one thing that regarded a bit completely different, and I watched the outdated Thomas Crown Affair, and I watched some Man Ritchie. So among the cut up screens and among the transitions from scene to scene [were inspired by those]. I simply needed it to really feel completely different. We didn’t have plenty of time. It wasn’t an enormous finances. We shot it in 42 days. It was what it was, however we made a meal of it.
I didn’t need it to appear like an ordinary motion film. There’s some dolly zooms, 360 dolly photographs, plenty of Trinity photographs the place we’re wrapping round. I needed to take plenty of liberties with the digital camera, however I additionally needed to take plenty of liberties with the edit and the pacing. I did Day Shift, and I’m tremendous pleased with that film. Nevertheless it was very scene to scene to scene. I needed to do one thing that was a bit extra stylized.
After we talked about Day Shift means again, we talked about how among the film harkens again to an ’80s or ’90s type of motion film. You want to combine older aesthetics with new-school tech. What appeals to you about that?
I discovered how to do that job once I bought out of the Military within the ’90s, once I turned a stuntman. And again then, you couldn’t say “Let’s simply repair it in put up.” Any person had to determine learn how to do it — you couldn’t simply lean on visible results. There wasn’t CGI, there was no YouTube for a tutorial, there was none of that. So that you needed to be a intelligent filmmaker. And I set to work with these guys and actually concentrate as a stunt coordinator and second unit director.
These stuntmen and girls are next-level. Parkour champion, world drifting champion, UFC fighter, simply next-level. However they’re all younger women and men that I don’t fucking perceive a phrase of what they’re saying. And I really like them, they usually love me, and I’ve discovered a lot from them, however I feel they be taught from me, too. That blend for me has at all times been tremendous attention-grabbing.
Picture: Csaba Aknay/Lionsgate
I’m caught in the midst of Gen X, and I nonetheless hearken to Mötley Crüe, however on the identical time, I work with all these tech-savvy younger bucks and younger ladies which might be superb. You noticed it in Day Shift with Dave [Franco] and Jamie [Foxx]’s characters, and it’s right here in The Killer’s Recreation. That’s one thing that I actually love. It’s part of my life that I actually love and snicker at, and it’s one thing that I needed to deliver throughout to the viewers.
I used to be considering that’s one thing that the protagonists of The Killer’s Recreation and Day Shift have in frequent: They’re every hyper-proficient at a violent job, however they’re additionally type of clueless of their life outdoors of the job. Is {that a} character trait you’re drawn to in tales?
[Points at self.] It’s type of my story. I’m 57, however I’m a 15-year-old trapped in a 57-year-old’s physique. I’ve been in a enterprise the place we crash automobiles and struggle and shoot issues and fall off a constructing. We don’t actually must develop up. You simply must watch out. You’re doing a bunch of children’ stuff. And I urge individuals: Don’t develop up. It’s means overrated. Don’t do it. You’re not going to dig it. You’re going to need to return. My spouse and I, we’ve bought a 12-year-old, and he or she’s going to develop up means earlier than I’ll.
The Killer’s Recreation is in theaters now.
